![]() And credit for the ever-expanding plant #8212 in all its eye-popping incarnations #8212 goes to Skylight Music Theatre (with support from Rockwell Automation) in collaboration with Paramount's prop department and consultants Simone Tegge and Mike Oleon. The set rotates to reveal the shabby interior of Mushnik's failing shop from which Audrey II orchestrates its reign of terror. Best Costume Design Of A Play Or Musical Jaia Cooper and Micah Cook - ESCAPE TO MARGARITAVILLE - Little Theater of Virginia Beach 9 Sandy Short - CATCH ME IF YOU CAN - Virginia Musical Theatre 9. Downtown, where the action occurs, it's a bit more hellish, with pops of neon (courtesy of lighting designer Jose Santiago) illuminating the murky street. ![]() Upstage, the unnamed city's skyline is bathed in a celestial light. Kmiec's skid row is both vibrant and grim. A few numbers could benefit from more restrained vocals, but overall the show sounds great. The strong cast, accompanied by music director/conductor Kory Danielson's rock quintet, has a flair for doo-wop pop and blues rock, particularly Jackson, whose soulful, spicy voice is well-suited to the carnivorous Audrey II. Rounding out the ensemble is the terrific Gene Weygandt, as lovable as he is irascible, as curmudgeonly flower shop owner Mr. The plant's namesake, Audrey is the long-suffering girlfriend of a sadistic, nitrous-oxide huffing dentist played by Russell Mernagh. The latter comes in the form of his beloved co-worker Audrey (Teressa LaGamba, an impressive singer whose voice rattles the rafters). Even sweet-tempered clerk Seymour (splendid work from Paramount newcomer Jack Ball) has a dark side, which he reveals when he agrees to provide Audrey II (voiced by Je'Shaun Jackson and manipulated by puppeteer Adam Fane) with human flesh in exchange for wealth, fame and love. Chiffon (Lydia Burke), Crystal (Marta Bady) and Ronnette (Tickwanya Jones) #8212 the tuner's Greek chorus #8212 are street-wise survivors. In this slum #8220 where the food is slop,#8221 a struggling business owner offers his sandwich to a homeless man.īut these characters, played with guarded compassion by Fleming's talented cast, aren't pushovers. On this downtown street #8220 where the cabs don't stop,#8221 an urchin shares what little money she has with someone worse off than her. In addition to humor, however, Fleming punctuates this cautionary tale with random acts of kindness, suggesting that while these characters #8212 down-on-their-luck residents of skid row #8212 may have lost their way, they haven't lost their humanity. ![]() #8220 I always value a good bit,#8221 explained the director in a video the Aurora theater released before Friday's opening of the musical adaptation of Roger Corman's 1960 cult film about a nebbishy flower store clerk who unwittingly cultivates a man-eating plant.įleming and her cast deliver, peppering Paramount's production of writer/lyricist Howard Ashman and composer Alan Menken's sweet, comically macabre musical with amusing stage business. ![]() That's what director Landree Fleming promised Paramount Theatre's revival of #8220 Little Shop of Horrors#8221 would deliver to audiences. ![]()
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